Skip to content Skip to sidebar Skip to footer
Home / Who Sang for Black Sabbath Born Again Album

Who Sang for Black Sabbath Born Again Album

Post a Comment

1983 studio anthology by Blackness Sabbath

Born Once more
SabbathBorn.jpg
Studio album by

Black Sabbath
Released 7 August 1983 (1983-08-07)
Recorded May 1983
Studio The Manor (Oxfordshire)
Genre Heavy metal
Length 41:04
Label Vertigo
Producer Black Sabbath, Robin Blackness
Black Sabbath chronology
Mob Rules
(1981) 		Born Over again
(1983) 		7th Star
(1986)

Born Once more is the eleventh studio album by English heavy metal band Black Sabbath. Released in August 1983, it is the merely album the grouping recorded with lead singer Ian Gillan, all-time known for his piece of work with Deep Purple. It was besides the terminal Black Sabbath album for ix years to feature original bassist Geezer Butler and the last to feature original drummer Nib Ward, though Ward did record a studio track with the band fifteen years afterward on their 1998 live album Reunion. The album has received mixed reviews from critics,[1] but was a commercial success upon its 1983 release, reaching No. iv in the United kingdom of great britain and northern ireland charts.[2] The album besides striking the top forty in the United States.[three] In July 2021, guitarist and founding member Tony Iommi confirmed that the long lost original principal tapes of the anthology had been finally located, and that he was considering remixing the album for a futurity re-release.[iv]

Origins [edit]

Following the divergence of vocalist Ronnie James Dio and drummer Vinny Appice in 1982, Sabbath'due south hereafter was in doubt. The band switched management to Don Arden (Sharon Osbourne's male parent) and he suggested Ian Gillan as the new vocalist.[five] "That band was put together on paper," guitarist Tony Iommi revealed in the 1992 documentary Black Sabbath: 1978–1992. "We'd never rehearsed."

The band had considered vocalists such as Robert Found and David Coverdale before settling on Gillan.[6] They fifty-fifty received an audition record from a so-unknown Michael Bolton.[five] Iommi told Hit Parader magazine in late 1983 that Gillan was the all-time candidate, saying "His shriek is legendary." Gillan was at first reluctant, but his managing director convinced him to run into with Iommi and Butler at The Carry, a pub in Oxford. Afterwards a night of heavy drinking,[v] Gillan officially committed to the project in February 1983.[7]

The project was originally intended to be a new supergroup, and the members of the group had no intention of billing themselves every bit Black Sabbath.[5] At some point after recording had been completed, Arden insisted that they use the recognizable Sabbath name, and the members were overruled.[5] "We thought we were doing a kind of Gillan-Iommi-Butler-Ward anthology…" recalled bassist Geezer Butler. "That is the way we approached the album. When we had finished the album, nosotros took it to the record company and they said, 'Well, here'southward the contract: it is going to become out as a Black Sabbath anthology."[8]

Born Over again featured the return of founding fellow member Bill Ward on drums, who was newly sober after leaving the ring in 1980 to deal with his alcoholism.[9] Ward began drinking over again nigh the finish of the sessions and returned to Los Angeles for treatment once the album was completed, and has remained sober always since.[5] Ward has said that he enjoyed making the album, which remains his final studio album with the band.[10]

Recording [edit]

Sabbath began recording in May 1983 at Richard Branson'south Estate Studio, in the Oxfordshire countryside.[eleven] Producer Robin Blackness had worked with the ring in the mid-1970s, as engineer on Demolition.

In his autobiography, Iommi recounts Gillan informing him that, during sessions, he planned to live outside the firm in a marquee tent: "I idea he was joking, but when I arrived at the Manor I saw this marquee exterior and I idea, fucking hell, he's serious. Ian had put up this big, huge tent. It had a cooking expanse and a sleeping room and whatsoever else." Gillan brought an immediacy to the songwriting that was uncommon for Sabbath: "Ian's lyrics were about sexual things or truthful facts, even nigh stuff that happened at The Estate there and so," Iommi recalls in his memoir. "They were adept, only quite a departure from Geezer's and Ronnie'southward lyrics." For case, Gillan returned from a local pub 1 evening, took a car belonging to drummer Ward, and commenced racing around a become-cart track on the Manor Studio property. He crashed the car, which burst into flames subsequently he escaped uninjured. He wrote the anthology's opening "Trashed" about the experience.[5]

"Disturbing the Priest" was written after a rehearsal space – ready up past Iommi in a minor building about a local church – received racket complaints from the resident priests.[5] "Nosotros wanted this result on 'Agonizing the Priest'," recalled the guitarist, "and Bill got this big saucepan of water and he got this anvil. It was really heavy, and he'd got it hanging on a piece of rope and lower it in to get this effect: hit it and lower information technology in, and then lift it out over again. It was a smashing effect, but it took hours to do."[12]

"I did some of the best drum work on that anthology…" Bill Ward recalled. "On 'Disturbing the Priest', there were some polyrhythms and some counterpoint things that I was doing, and I was using at least 20 dissimilar pieces of percussion towards the finish of that vocal… I was real proud of a lot of the work that I did. Some of it invariably got lost in the mix, but I know that it'south printed on those tracks."[13]

The band got along well, simply it became apparent to all involved that Gillan'due south style did non quite mesh with the Sabbath sound. In 1992, he told director Martin Baker, "I was the worst singer Black Sabbath ever had. It was totally, totally incompatible with whatsoever music they'd e'er done. I didn't wear leathers, I wasn't of that image...I think the fans probably were in a total state of defoliation." In 1992, Iommi admitted to Guitar World, "Ian is a great vocalist, just he's from a completely different background, and information technology was difficult for him to come in and sing Sabbath textile."

"I saw Ian get into the studio one day," Ward recalled, "and I was fortunate and honoured, actually, to be function of a session. I watched him lay tracks on 'Keep It Warm'… I felt like Ian was Ian in that song… I watched this incredible transformation of this man that actually, I felt, delicately put lyrics together. It fabricated sense. I idea he did an fantabulous job. And I really dig that song too."[14]

When the band heard the last production, they were horrified at the muffled mix. In his autobiography, Iommi explains that Gillan inadvertently blew a couple of tweeters in the studio speakers by playing the backing tracks too loud and nobody noticed. "We just idea it was a bit of a funny sound, but information technology went very incorrect somewhere between the mix and the mastering and the pressing of that anthology...the audio was really dull and muffly. I didn't know most it, because we were already out on tour in Europe. By the time we heard the album, it was out and in the charts, but the audio was awful."

For all his misgivings, Gillan remembers the menstruation fondly, stating in the Blackness Sabbath: 1978–1992 documentary, "But by God, we had a good year...And the songs, I call back, were quite good."

Breakup [edit]

Following the bout supporting Built-in Again, this version of Black Sabbath fell autonomously, with Gillan and Ward departing. The bout was as well a breaking bespeak for Butler, who admits in the Black Sabbath: 1978–1992 documentary, "I but got totally disillusioned with the whole thing and I left some time in 1984 after the Born Again bout. I just had plenty of information technology." In 2015 Butler antiseptic to Dave Everley of Classic Rock: "I left because my second child was born and he was having problems, so I wanted to stay with him. I told Tony I couldn't concentrate on the band anymore. But I never roughshod out with everyone." Butler says the looming Deep Purple reunion played a large part in Gillan'due south determination to leave.[15] Disagreements with management also contributed to the band's dissolution.[xv] Bevan would briefly return to the Sabbath fold in 1986-87 to record cymbal overdubs for the album The Eternal Idol.

Album cover [edit]

The cover – depicting what Martin Popoff described equally a "garish cerise devil-infant" – is by Steve 'Krusher' Joule; a Kerrang! designer who also worked on Ozzy Osbourne'southward Speak of the Devil. It is based on a black-and-white photocopy of a photograph published in a 1968 magazine.[xvi] The same photograph was used for 12-inch versions of Depeche Mode'southward "New Life".

"I didn't have any participation in the album cover," recalled Bill Ward. "When I saw it, I hated it."[14]

Ian Gillan told the press that he vomited when he first saw the picture. However, Tony Iommi approved the encompass,[17] which has been considered one of the worst ever.[1] Ben Mitchell of Blender called the cover "atrocious".[18] The British magazine, Kerrang!, ranked the embrace in second place, behind merely the Scorpions' Lovedrive, on their list of "10 Worst Anthology Sleeves in Metal/Hard Stone". The list was based on votes from the magazine's readers.[nineteen] NME included the sleeve on their list of the "29 sickest album covers always".[20] Sabbath's manager Don Arden was quite hostile towards the band's ex-singer Ozzy Osbourne, who had recently married his director Sharon,[21] and was fond of telling Osbourne that his children resembled the Built-in Once more embrace.[21]

Release and reception [edit]

Professional ratings
Review scores
Source Rating
AllMusic [1]
Blender [xviii]
The Rolling Stone Album Guide [22]
Sputnikmusic 2/5[23]
Metal Forces 8/10[24]
Martin Popoff 10/10[25]

Born Again was released in August 1983[one] and was a commercial success. It was the highest charting Black Sabbath album in the United kingdom of great britain and northern ireland since Sabbath Encarmine Sabbath (1973) and became an American Top 40 hit.[26] Despite this, information technology became the first Black Sabbath album to not accept any RIAA certification in the United states of america.

The album received mixed reviews upon its release.[27] AllMusic's Eduardo Rivadavia wrote that the album has "gone downward as one of heavy metal's all-time greatest disappointments" and described "Zero the Hero", "Hot Line", and "Proceed It Warm" as "embarrassing".[1] Blender contributor Ben Mitchell gave the album 1 out of five stars and claimed that the music on Born Once again was worse than its cover.[18] Martin Charles Strong, the author of The Essential Stone Discography, wrote that information technology was "an practise in heavy-metal cliché".[28] However, Popmatters correspondent Adrien Begrand has noted the anthology as "disregarded".[27] The British mag Metal Forces defined it "a very good anthology" even if "Gillan may non be the perfect frontman for the Sabs".[24]

Despite the overall negative reception with critics, the album remains a fan favorite. Writer Martin Popoff has written that "if any album in the history of Black Sabbath is getting a new set of horns up from metalheads here deep into the new century, information technology'south Born Again."[7] Industrial metal band Godflesh and decease metal ring Cannibal Corpse both accept covered "Zero the Hero", the quondam appears on the Masters Of Misery - Blackness Sabbath: The Earache Tribute anthology while the latter is featured on the Hammer Smashed Face up EP. Cannbibal Corpse's erstwhile vocalizer, Chris Barnes, has called Born Again his favourite Black Sabbath anthology.[29] "Zero the Hero" has besides been cited equally the inspiration for the Guns N' Roses hit "Paradise Urban center",[xxx] and in his autobiography Iommi also suggests the Beastie Boys may have borrowed the riff from "Hot Line" for their hitting "(You Gotta) Fight For Your Correct (To Political party!)". Metallica drummer Lars Ulrich has called Born Once more "ane of the all-time Black Sabbath albums".[31] Bill Stevenson, quondam drummer of Blackness Flag, stated the band was listening to the anthology around the time of My War, defining songs like "Trashed" and "Disturbing the Priest" as "ideal".[32]

In 1984, Ozzy Osbourne stated that the album was the "best thing I've heard from Sabbath since the original group broke upwards".[33] Butler has pointed to "Zippo the Hero" and "Disturbing the Priest" as his favorites on the anthology.[15] In 1992 Iommi confessed to Guitar World, "To be honest, I didn't like some of the songs on that anthology, and the production was awful. Nosotros never had time to exam the pressings subsequently it was recorded, and something happened to it past the fourth dimension information technology got released."

A re-mastered 'Deluxe Expanded Edition' of Born Over again was released in May 2011 by Sanctuary Records. It included several alive tracks from the 1983 Reading Festival originally featured on BBC Radio 1's Friday Rock Show. Though the release was remastered, it was not remixed due to the inability to locate the original main tapes, as well every bit Sanctuary non wanting delay the release in an effort to locate said tapes for a remix.[34]

In 2021, Tony Iommi claimed that the original master tapes, long thought lost, had been constitute and that he was considering remixing them for an eventual release.[35] [36]

Born Again Tour and Stonehenge props [edit]

According to Iommi's autobiography, Ward began drinking again near the end of the Born Again recording sessions and returned to Los Angeles for treatment. The band recruited Bev Bevan, who had played with The Move and ELO,[37] for the upcoming tour in support of the new album. Gillan had all the lyrics to the Sabbath songs written out and plastered all over the stage, explaining to Martin Baker in 1992, "I couldn't get into my brain any of these lyrics...I cannot soak in these words. There's no storyline. I tin't relate to what they mean." Gillan attempted to overcome the problem past having a cue volume with plastic pages on stage, which he would turn with his human foot during the show. Nevertheless, Gillan did not conceptualize the "vi buckets" of dry ice that engulfed the phase, making it impossible for the singer to see the lyric sheets. "Ian wasn't very certain-footed either," Iommi writes in his memoir. "He once cruel over my pedal board. He was waving at the people, stepped back and, bang!, he went arse over caput big fourth dimension." Gillan besides told Birch that it was Don Arden's idea to open the show with a crying baby blaring over the speakers and a dwarf made to look exactly like the demonic infant depicted on the Born Over again album cover miming to the screaming. "We noticed a dwarf walking around the mean solar day before the opening evidence...And we're proverb to Don, 'Nosotros retrieve this is in the worst possible taste, this dwarf, you know?' And Don's going, 'Nah, the kids volition beloved it, information technology'll exist neat.'"

The tour is virtually infamous, however, for the gigantic Stonehenge props the band used. Iommi recalls in his autobiography that it was Butler's thought just the designers took his measurements the wrong way and thought it was meant to exist life-size. Months subsequently, while rehearsing for the bout at the Birmingham NEC, the stage fix arrived. "Nosotros were in shock," writes Iommi. "This stuff was coming in and in and in. It had all these huge columns in the dorsum that were equally wide as your average chamber, the columns in forepart were nearly 13 feet high, and we had all the monitors and the side fills besides as all this stone. It was made of fiberglass and wood, and bloody heavy." The set would be lampooned in Rob Reiner's 1984 rock music mockumentary This Is Spinal Tap, with the band having the opposite trouble of having to use miniature Stonehenge stage props. Butler has said that he told the associate scriptwriter of the film the story of the ring's performances with their "Stonehenge" stage props.[38] In an interview for the documentary Black Sabbath: 1978–1992, Gillan claims Don Arden had the dwarf walk across the summit of the Stonehenge props at the start of the show and, equally the tape of the screaming babe faded away, fall back "from about thirty-five feet in the air on this big pile of mattresses. And then, 'Dong!' The bells start and the monks come up out, the whole thing. Pure Spinal Tap." The band toured Europe kickoff, playing the Reading Festival (a functioning that is included on the 2011 deluxe edition of Born Once more) and also playing in a bullring in Barcelona in September. Sabbath performed Gillan's hit with Deep Regal, "Smoke on the Water", on the tour, with Iommi explaining in his memoir, "it seemed similar a bum deal for him not to do any of his stuff while he was doing all of ours. I don't know if we played it properly but the audience loved it. The critics moaned; information technology was something out of the handbag and they didn't desire to know then." In October, the ring took the Stonehenge set to America only could just apply a portion of it at near gigs considering the columns were too high. The set was somewhen abandoned. A music video for "Zero the Hero" was also released, featuring performance footage of the ring onstage interspersed with scenes involving several grotesque characters performing experiments on a witless fellow in a haunted business firm filled with rats, roosters and a roaming horse.

Track listing [edit]

Standard Edition [edit]

All songs credited to Tony Iommi, Geezer Butler, Beak Ward, and Ian Gillan, except where noted.

Side A
No. Title Length
i. "Trashed" 4:16
2. "Stonehenge" (Instrumental) i:58
3. "Disturbing the Priest" 5:49
4. "The Dark" (Instrumental) 0:45
five. "Zero the Hero" vii:35
Side B
No. Title Writer(s) Length
6. "Digital Bitch" 3:39
7. "Born Again" half dozen:34
8. "Hot Line" Iommi, Butler, Gillan 4:52
9. "Go along It Warm" Iommi, Butler, Gillan 5:36

2011 Deluxe Edition Disc two [edit]

Tracks 3-eleven recorded live at the Reading Festival on Sat, August 27, 1983 and first aired on Friday Rock Show via BBC Radio 1.[34]

Bonus Tracks
No. Championship Length
1. "The Fallen" (previously unreleased anthology session outtake) 4:30
2. "Stonehenge" (extended version) 4:47
Alive at the Reading Festival August 27, 1983
No. Championship Author(southward) Length
3. "Hot Line" 4:55
four. "War Pigs" Butler, Iommi, Ozzy Osbourne, Ward 7:25
5. "Black Sabbath" Butler, Iommi, Osbourne, Ward vii:eleven
6. "The Dark" 1:05
7. "Nada the Hero" 6:55
8. "Digital Bitch" 3:34
9. "Iron Homo" Butler, Iommi, Ozzy Osbourne, Ward 7:41
10. "Fume on the Water" Ritchie Blackmore, Gillan, Roger Glover, Jon Lord, Ian Paice iv:56
11. "Paranoid (Features a small portion of the intro to Heaven & Hell with Gillan doing his signature harmonics)" Butler, Iommi, Ozzy Osbourne, Ward iv:18

Personnel [edit]

Black Sabbath

  • Ian Gillan – vocals
  • Tony Iommi – guitars, guitar effects, flute
  • Geezer Butler – bass, bass effects
  • Pecker Ward – drums, percussion

Additional musicians

  • Geoff Nicholls – keyboards
  • Bev Bevan – drums (on 2011 Deluxe Edition – Disc 2, tracks iii–11)
Credits[39]
  • Steve Barrett – art assistant
  • Blackness Sabbath – producer
  • Robin Black – producer, engineer
  • Stephen Chase – engineer, assistant engineer
  • Paul Clark – co-ordination
  • Hugh Gilmour – liner notes, pattern, reissue design, original sleeve design
  • Ross Halfin – photography
  • Steve Joule – artwork, encompass design
  • Peter Restey – equipment technician
  • Ray Staff – remastering
  • Chris Walter – photography

Release history [edit]

Region Date Label
United Kingdom August 1983 Vertigo Records
United States 4 October 1983 Warner Bros. Records
Canada 1983 Warner Bros. Records
Britain 1996 Castle Communications
United Kingdom 2004 Sanctuary Records

Charts [edit]

See also [edit]

  • Born Again Bout 1983

References [edit]

  1. ^ a b c d e Rivadavia, Eduardo. "Born Again > Overview". Allmusic . Retrieved 1 Nov 2009.
  2. ^ "Gillan the Hero". Archived from the original on 18 October 2009. Retrieved 1 Nov 2009.
  3. ^ "Billboard Acme 200". Billboard . Retrieved 1 November 2009. [ permanent dead link ]
  4. ^ Blabbermouth (26 June 2021). "TONY IOMMI Says Original Tapes For Black SABBATH'southward 'Born Over again' Album Have Been Found: 'I'k Thinking Of Remixing' It". BLABBERMOUTH.NET . Retrieved 14 November 2021.
  5. ^ a b c d e f 1000 h Iommi, Tony (2011). Iron Homo: My Journeying Through Heaven and Hell with Black Sabbath. Da Capo Printing. ISBN978-0306819551.
  6. ^ Popoff, Martin (2006). Black Sabbath: Doom Let Loose: An Illustrated History. ECW printing. p. 201. ISBNane-55022-731-9.
  7. ^ a b Popoff, Martin (2006). Black Sabbath: Doom Permit Loose: An Illustrated History. ECW press. p. 198. ISBN1-55022-731-9.
  8. ^ Swedish Goggle box interview, circulate April 1994, transcribed by Ola Malmström in Sabbath fanzine Southern Cross #14, p19, October 1994
  9. ^ Popoff, Martin (2006). Black Sabbath: Doom Let Loose: An Illustrated History. ECW press. p. 197. ISBN1-55022-731-ix.
  10. ^ Wright, Michael. "Bill Ward Tells Sabbath Tales and Talks Reunion". Archived from the original on 29 June 2011. Retrieved four September 2010.
  11. ^ Thompson, Dave (2004). Smoke on the Water: The Deep Majestic Story. ECW Press. p. 234. ISBNi-55022-618-v.
  12. ^ Scott, Peter (May 1998). "Tony Iommi Interview". Southern Cantankerous (Sabbath fanzine) #21. p. 46.
  13. ^ Schroer, Ron (Oct 1996). "Bill Ward and the Hand of Doom – Function III: Disturbing the Peace". Southern Cross (Sabbath fanzine) #eighteen. p. 25.
  14. ^ a b Schroer, Ron (October 1996). "Bill Ward and the Hand of Doom – Part Three: Disturbing the Peace". Southern Cross (Sabbath fanzine) #xviii. p. 24.
  15. ^ a b c "Geezer Butler Discusses Veganism, Religion, Politics, Surveillance, and Life Lessons". bryanreesman.com. 27 March 2014. Retrieved 1 September 2019.
  16. ^ Siegler, Joe. "Black Sabbath Online: Built-in Again". Black Sabbath Online. Archived from the original on 14 January 2012. Retrieved 7 August 2017. ...the first image of a baby that I found was from the front cover of a 1968 magazine chosen Mind Alive [...] we bashed the whole thing out in a night – Steve Joule interview
  17. ^ Popoff, Martin (2006). Black Sabbath: Doom Allow Loose: An Illustrated History. ECW press. p. 206. ISBNane-55022-731-nine.
  18. ^ a b c Mitchell, Ben. "Built-in Again – Blender". Blender. Archived from the original on 29 Baronial 2010. Retrieved 3 September 2010.
  19. ^ "BLABBERMOUTH.NET – x Worst Anthology Sleeves in Metallic/Hard Rock". Blabbermouth.net. Archived from the original on 27 August 2004. Retrieved 4 September 2010.
  20. ^ "Pictures of NSFW - the 29 sickest album covers ever - Photos - NME.COM". NME . Retrieved 4 September 2010.
  21. ^ a b Osbourne, Ozzy (2011). I Am Ozzy. Thou Key Publishing. ISBN978-0446569903.
  22. ^ "Blackness Sabbath: Album Guide". Rolling Rock. Archived from the original on 27 April 2012. Retrieved v June 2012.
  23. ^ neekafat. "Born Once again". Sputnikmusic.com . Retrieved 16 October 2019.
  24. ^ a b Barnell, Graham (1983). "Blackness Sabbath – Built-in Again". Metal Forces (two). Retrieved 1 July 2012.
  25. ^ Popoff, Martin (1 November 2005). The Collector's Guide to Heavy Metal: Book ii: The Eighties. Burlington, Ontario, Canada: Collector'southward Guide Publishing. ISBN978-1-894959-31-5.
  26. ^ Thompson, Dave (2004). Smoke on the Water: The Deep Purple Story. ECW Printing. p. 237. ISBN1-55022-618-v.
  27. ^ a b Begrand, Adrien. "Alice Cooper: Portrait of the Creative person as a Burnt-Out Quondam Human being < PopMatters". PopMatters . Retrieved 3 September 2010.
  28. ^ Stiff, Martin Charles (2006). The Essential Rock Discography. Canongate Books Ltd. p. 97. ISBN978-1-84195-827-9.
  29. ^ Mudrian, Albert, ed. (2009). Precious Metal: Decibel Presents the Stories Backside 25 Extreme Metal Masterpieces . Da Capo Printing. p. 158. ISBN978-0-306-81806-6. Black Sabbath Built-in Again.
  30. ^ Popoff, Martin (2006). Black Sabbath: Doom Permit Loose: An Illustrated History. ECW press. p. 210. ISBN1-55022-731-9.
  31. ^ "BLABBERMOUTH.Net – METALLICA's LARS ULRICH: 'Metal Is Like Canker — It Never Goes Away'". Blabbermouth.net. Archived from the original on eight September 2012. Retrieved four September 2010.
  32. ^ Blush, Steven; Petros, George (2001). American Hardcore: A Tribal History. Feral Firm. p. 73. ISBN9780922915712.
  33. ^ Hogan, Richard."Is Sabbath turning Purple?" (PDF). Archived from the original (PDF) on xviii December 2005. Retrieved 2012-07-11 . . Circus Magazine 02-29-84
  34. ^ a b Blabbermouth (12 Apr 2011). "BLACK SABBATH'due south 'Born Again' Deluxe-Expanded-Edition Reissue Was Remastered, Not Remixed". Blabbermouth.cyberspace . Retrieved nine August 2020.
  35. ^ "TONY IOMMI Says Original Tapes For BLACK SABBATH's 'Built-in Again' Anthology Have Been Found: 'I'chiliad Thinking Of Remixing' It". Blabbermouth.net. 26 June 2021. Retrieved 17 December 2021.
  36. ^ "Black Sabbath: Tony Iommi Considera Remixar O Álbum Born Over again E Lançar Box Com Discos Da Era Tony Martin". Rockbizz.com.br. 26 June 2021. Retrieved 17 December 2021.
  37. ^ Bevan, who was still a member of ELO in 1983, had a long-fourth dimension relationship with Don Arden, every bit all of ELO'south albums from 1975's Face the Music forward were recorded for Arden's Jet Records label.
  38. ^ Popoff, Martin (2006). Black Sabbath: Doom Allow Loose: An Illustrated History. ECW press. pp. 215–216. ISBN1-55022-731-9.
  39. ^ "Born Again > Credits". Allmusic . Retrieved four September 2010.
  40. ^ "Offizielle Deutsche Charts" (in German). offiziellecharts.de. Retrieved 25 October 2021.
  41. ^ "Black Sabbath - Born Again". Hung Medien. Retrieved 25 Oct 2021.
  42. ^ "Black Sabbath - Born Again". Hung Medien. Retrieved 25 October 2021.
  43. ^ "Black Sabbath - Born Again". Hung Medien. Retrieved 25 Oct 2021.
  44. ^ "Black Sabbath | full Official Nautical chart History". Official Charts Visitor. Retrieved 25 October 2021.
  45. ^ "Chart History". Billboard. Retrieved 25 October 2021.

External links [edit]

  • Born Once more at Discogs (list of releases)

goodhilewhousels.blogspot.com

Source: https://en.wikipedia.org/wiki/Born_Again_%28Black_Sabbath_album%29

You may like these posts

Post a Comment for "Who Sang for Black Sabbath Born Again Album"